In "Untitled Remains," a nude man reclines in a lounge chair draped in deep red fabric, holding a skull as if caught mid-thought. The scene is intimate yet ambiguous — part portrait, part meditation. The title offers no clear resolution, only a pause: an invitation to sit with what lingers.

The red fabric wraps the moment in warmth and weight, evoking the complexity of vulnerability and presence. The skull, often a symbol of mortality, functions here more as a touchstone — something to hold, to wonder about, to reflect against.

This painting resists a single narrative. It exists in the space between clarity and quiet tension — between body and thought, rest and reckoning. It is about what remains when titles, roles, and intentions fall away.